Steven Spielberg is the
most successful director of our age and one of
the most acclaimed of any era. His movies amuse
and amaze us, startle and move us, make us
laugh, cry, think and dream-in some cases all at
once. In the 100 or so years that the world has
been going to the movies "no director or
producer has ever put together a more popular
body of work," wrote Roger Ebert in Time
magazine, which at the end of the 20th century
named him the most influential person of his
generation. "That's why the movies we're now
seeing are made in his image," continued Ebert.
That image, powerful, dynamic and wondrous, was
first outlined by his feature debut in 1974, The
Sugarland Express, and subsequently
enriched and refined by hit after hit,
masterpiece after masterpiece: Jaws (1975);
Close Encounters of the Third Kind
(1977); Raiders of the Lost Ark (1981)
and its sequels Indiana Jones and the Temple
of Doom (1984) and Indiana Jones and
the Last Crusade (1989); E.T. the
Extra-Terrestrial (1982); The Color
Purple (1985); Empire of the Sun
(1987); Jurassic Park (1993);
Schindler's List (1993); Saving
Private Ryan (1998); A.I.: Artificial
Intelligence (2001); Minority
Report (2002); Catch Me If You Can
(2002); War of the Worlds (2005); and
Munich (2005).
Spielberg has been
nominated for six Academy Awards for Best
Director, winning twice, for Schindler's
List and Saving Private Ryan.
Seven of his films have been nominated for Best
Picture (Schindler's List won). As a producer,
he's also been honored with the Irving G.
Thalberg Memorial Award. He is the director who
defined the modern summer blockbuster with
Jaws, made dinosaurs walk the earth in
Jurassic Park, introduced us to both
present and future aliens and robots in Close
Encounters, E.T., and A.I.; and created a true adventure hero in Indiana Jones, at a time when the cinema was filled with anti heroes. He is also the man whose most powerful films portray deeply flawed people; explore slavery and racism; war and the Holocaust; loneliness and friendship; terrorism; the search for identity and the quest for freedom. His has depicted the human comedy in comedy, fantasy, adventure and drama. "Steven's passion and enthusiasm for ideas and for human understanding is very much what fuels his work," says Harrison Ford.
His films, particularly
the early ones, often focused on children and
young people. When young, he focused on making
films: amateur 8 mm adventure and horror movies,
often featuring his family and friends. His
first professional short film was Amblin', which
later became the moniker for his production
company, Amblin Entertainment. He left
California State University in Long Beach early
(although he returned four years ago to finish
his degree) to accept a television directing
contract with Universal Studios, which resulted
in the cult Joan Crawford segment of "Night
Gallery" as well as episodes for such '60s
classics "Marcus Welby, M.D.", "Name of the
Game", "Columbo" and one of the classic
made-for-television movies, "Duel", first
broadcast in 1971. That led to The Sugarland
Express and then to Jaws. Famously a disaster-in-the-making, Jaws won three Oscars (editing, score and sound), grossed over $100 million (the first film to do so) and scared more people than anything that had come before. Its musical theme became synonymous for unbearable suspense and horror, and its composer, John Williams, became Spielberg's lifelong collaborator. As the first summer blockbuster, Jaws changed our movie-going habits and transformed Hollywood forever.
Refusing to direct a
sequel, he turned his attention from the seas to
the skies and created the classic Close
Encounters of the Third Kind. Another hit,
another John Williams soundtrack, and his first
nomination for directing. (It was honored for
Vilmos Zsigmond's luminous cinematography and
for Sound Effects editing. Much more great work
was still ahead, of course.) The Indiana Jones
films are landmarks of action movies.
E.T. is many people's favorite fantasy
film and the top-grossing film of all time for
many years. The Color Purple was
nominated for 11 Oscars. Jurassic Park
set new standards for visual effects and
breathless adventure and was released the same
year as Schindler's List, a watershed film in his career. It was huge at the box office, and it was listed by the American Film Institute as one of the 10 Greatest Films Ever Made.
Spielberg co-founded the
first new major Hollywood Studio with Jeffrey
Katzenberg and David Geffen, Dream Works, which
released its first picture in 1997,
Amistad, based on the true story about
the ship carrying enslaved Africans, who rebel
against their captors. Next came Saving
Private Ryan and another directing Oscar,
and his massive co-production of "Band of
Brothers" for HBO, which was acclaimed as one of
television's greatest triumphs and showered with
Golden Globe and Emmy awards. In this young
century Spielberg has already produced what
Billy Wilder described as the "most underrated
film of the past few years," A.I.,
Stanley Kubrick's final unrealized project; two
Tom Cruise blockbusters, War of the
Worlds and Minority Report; and
most recently, the stunningly controversial
Munich, which was nominated for five Academy Awards.
For Spielberg, movies are
his passion, and his compassion has made him a
generous philanthropist. His projects include
Starbright World, which helps hospitalized
children; Righteous Persons Foundation, which
distributes the profits from the film
Schindler's List, and Survivors of the Shoah Visual History Foundation, which he founded to chronicle the testimony of Holocaust survivors. Spielberg is an entertainer, an artist and a humanist. The majority of his films "work on every level that a film can reach," wrote Ebert, because Spielberg has a "direct line to our subconscious."
This information was provided courtesy of the
John F. Kennedy Center for the Performing Arts.
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